Photosets

Tenderness and tempestuous emotions combined is the delicate balance that Waxahatchee strikes. See Jessica Bartolini's photo's of Waxahatchee's recent show at The Fleece.

Soccer Mommy brought her 2018 debut album, 'Clean' to Thekla this week. Ross Jones and Jessica Bartolini were among the lucky below-decks crowds.

The KVB blend shoegaze and electronic melancholy. Jon Kean and Jessica Bartolini review their recent performance at The Louisiana.

The Free For All Festival at The Mothers Ruin delivered a highly liberating set from the twin-engined grunge machine, Miss Kill. Photoset by Jess Greenwood.

Pop is in safe hands with people like Alice Merton around, as proven by her set at Thekla. Photoset by Jessica Bartolini.

"Anderson, of course, remains the consummate showman; stalking the stage." Simon Moyse and Michael Brumby review Suede at the O2 Academy.

"Trinity felt like a nice intimate space to host these heavyweights." Michael Brumby gives us words and pictures on The Heavy at The Trinity Centre.

"It’s hard not to feel privileged in his presence." Bethany Marris and Kristina Kimlickova review Madlib plus support on a sweaty Marble Factory night.

"Part of the venue’s Listening Room series," Kayla Painter at St George's cheered up a Saturday afternoon. Bethany Smith and Lorenzo Ottone review.

Kate Stapley launched her double-A-sided release of 'The Hours' and 'Hermit' at Stokes Croft's Hours Space. Photoset by Duncan Cruickshank.