A. Savage brought the increased emotional sensitivities of his recent album and some of Parquet Courts' weighty heft to bear at The Louisiana recently.
"Grennan is a born performer and throughout the show, he seemed completely at ease and in his element." Shannon Newman and Nathan Roach review Tom Grennan.
The three days of crushing metal ahead of me can't possibly top 2014's inaugural event, can they?
Everyone should go to a Nils Frahm gig at least once in their lives. Whatever the opposite of easy listening is (and it’s definitely not uneasy listening), that’s what Frahm delivers. Jon Kean reviews. Photos by Hannah Rooke.
"They've always had IMAX-sized widescreen sound, before which you cannot help but feel humble." Ålesund - photoset by Luke Macpherson.
Live photos of Hacienda Classical's memorable performance at this year's Bristol Sounds.
"It feels bright, new, explorational. Improvisation is firmly in charge." Jonny Pinches and Jessica Bartolini review The Cinematic Orchestra.
Candy Darling @ The Fleece, Bristol. 24.05.15.
"It’s The Murder Capital’s relentless sense of energy that ensures audiences keep coming back for more." Elvliott Simpson and Jonny Nolan review.
"Curiosity, confusion and ass-kicking cuts are certainly what you can expect from this formidable four-piece." Madonnatron - photoset by Duncan Cruickshank.